Going in search of clues left by those ancient migrants in South India, he arrived at the house of a Kerala brahmin who is teaching his son mantras the way it has been done for millenia. Wood then shows the 2006 athirathram – a 12 day vedic ceremony – and mentions that certain sounds recited in this ceremony takes years to learn but have no meaning. When brahmins were asked for meaning, they did not know. They simply knew that it was handed down.

Since man is a speaking animal, we have always assumed that any word man says is in language, but some of those mantras are not in any known language. Hence these sounds, which are still recited today, are considered to have evolved before human speech.

Of Birds and Humans

• Mantras are language independent: Anything in language can be translated whereas mantras remain the same in all languages.
• Mantras, even though they seem to be in a language like Sanskrit, are not used for their meaning.
• Mantras follow patterns, like refrain, which is not seen in language.

vo no ha bu / idam idam pura ha bu / pra va pra
vas ia ia ha yi / nina ninava tarn u vo ha bu / stiisa vi
sakhtaia Ya ha vi / dramutalyayi / o vi la /

As a side effect, by comparing the patterns of mantras and certain birds, it is possible to find which birds influenced the mantras. There is research which found patterns in the composition of Igor Stravinsky and a bird usually found in the region where he worked. Thus some of the mantra sounds were found to be inspired by the songs of Blyth’s Reed Warbler and Whitethroat – two birds which migrate to India.

There are examples of bird-human interaction in Vedas and Upanishads. Some vedic chools have been named after birds — like kausika after the owl or taittiriya after the partridge. D. D. Kosambi believed that Vedic clans were totemic. Then there is the story of Satyakama Jabala in Chandogya Upanishad who:

Critiques

Having established this similarity between bird song and mantra, the theory then takes off with a life of its own. There are vedic rituals for making rain and curing illness and similarly birds sing for building nests or attracting females; there are rituals and bird songs for various occasions. Then it was also found that bird sing – believe it or not – just for pleasure. So Staal extends the theory to say that, similar to skiing, dancing and music, mantras and rituals too are done for pleasure.

Between Staal’s athirathram in 1975 and Wood’s in 2006, one was held in 1990 near Thrissur which I attended  for a day. This athirathram, which was extensively covered in Malayalam newspapers, was highly respectful and the words I heard were not “playful” or “pleasurable.” I can understand singing for pleasure, but am yet to meet a priest who said, “it’s a weekend and raining outside, let’s do a ganapati homam for pleasure.”

Prof. Staal thinks that not just the sounds, but rituals too are meaningless. But Wood writes that mantras, “work on emotions, the physiology, and the nervous system.” According to Wood, these rituals are a away of achieving heightened mental and physical state. So I am not sure if this research is of the Ganesha phallus quality. If you have seen any paper or book by anyone else, please leave a comment.

Postscript: Kosambi’s concept that Vedic clans were named after animals was criticized inThe Early Brahmanical System of Gotra and Pravara (Purusottama Pandita, John Brough). They wrote that it is equivalent to saying an Englishman with the surname Fox belongs to a totemic clan of that animal.  Instead they suggest that the bird name could have come from the clan name.

Reference: Michael Wood has a companion book to the program. More details can be found in Staal’s paper, Mantras and Bird Songs, in which one quoted sentence reads: “there are mechanisms in existence which reinforce economical perfection in motor skills independently of the attainment of the ultimate biological goal in whose pursuit the learned movement is developed.” Staal’s book on this topic is available in limited preview mode in Google Books.

[serialposts]

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While Melpathur was composing Narayaneeyam in Sanskrit, Poonthanam was writing Jnanapana in Malayalam. This was a time when Malayalam was considered inferior to Sanskrit. When Poonthanam went to show his poem to Melpathur, he refused to see it; treating him like a groundling, Melpathur asked Poonthanam to learn Sanskrit.

The next day, Melpathur came to sing ten slokas of Narayaneeyam before Guruvayoorappan and he met a boy who found many mistakes in his composition. The boy vanished and a celestial voice announced, “Poonthanam’s bhakthi (devotion) is more pleasing to me than Melpathur’s vibhakthi (learning or knowledge in Sanskrit grammar)”.

So goes the legend.

Is there any truth to this story or is it something which which was written to show that Malayalam was as good as Sanskrit? Would a Sanskrit scholar like Melpathur make mistakes in his composition.? What we know is two pieces of information about Melpathur from which we will have to deduce information.

Kerala School of Mathematics(teachers and students)

There is little information about Poonthanam’s later life, but much more about Melpathur and his royal patrons. But we don’t know anything Melpathur’s first drafts of Narayaneeyam and so it is hard to pin down the narrative historically.

Though Poonthanam’s Jnanappana too is still sung in houses in Kerala, the title of father of Malayalam goes to Thunchatthu Ezhutachan — a contemporary of Poonthanam and Melpathur — who translated Ramayana, and Mahabharata and standardized the Malayalam alphabet ^[2].

References:

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This divine song which drenches the eyes of Ayyappa devotees in tears was written Kumbakudi Kulathur Iyer. Harivarasanam lyrics were composed in 1950. Kumbakudi Kulathur Iyer used to sing it daily when the temple doors were closed after performing the Athazapuja — serving the last meal of the day to Ayyappa. Today it is known as the Urakku Pattu — or the song that sends Ayyappa to sleep. In the beginning, the main priest used to play flute while closing the doors of the temple. Harivarasanam became the Urakku Pattu of Ayyappa after the infamous fire incident in the 50s, which burn down the old temple. When the new temple was built and the pujas commenced, Harivarasanam was inducted as the Urakku Pattu — the song to send Ayyappa to sleep.[Who is the author of Harivarasanam?]

The ashtakam (8 stanza song) was first rendered at Sabarimala in 1955 by Swami Vimochanananda. In those days, only a few ardent devotees managed the difficult pilgrimage to Sabarimala in the deep jungles. The temple remained open during the November to January season but otherwise only on the first day of every Malayalam month. One Sri VR Gopala Menon from Alapuzha used to accompany the Melshanthi (head priest) Thirumeni Eashwaran Namboothiri to the Sannidhanam, and he would often stay there by himself in a shack even when the temple was closed, undisturbed by the wild animals, and often even feeding some animals. He used to sing Harivarasanam as the “urakkupaattu” (lullaby) for ayyappa swami at night. Later, when the Devaswom Board was formed, some say that he was asked to move out and he eventually passed away at a tea estate at Vandipperiyar. When Thirumeni Eashwaran Namboothiri heard about the passing of the ardent bhaktha, he was deeply saddened. At the end of the day’s rituals, thirumeni was about to close Sannidhanam doors when he remembered the dedication and sacrifice of the bhaktha and he began to recite “Harivarasanam,” starting a tradition that remains unbroken to this day.

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The text, ‘Sandupuruvarnanam,’ describing the unique feature of erstwhile royal state of Travancore, was recently traced by manuscript researchers at Manoormadam Kottaram in Mavelikkara in Alappuzha district.
Out of the 57 palm leaves of this text penned by Swathi Thirunal in Malayalam script, 31 have been found among a bundle of manuscripts in a box at Manoormadam, Assistant Co-ordinator of Manuscripts Post-survey Programme, P L Shaji told PTI.
From the inscriptions on the text, it could be learnt that they were written in AD 1839, he said.

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The urns were excavated by a team of researchers led by B. Ramesh, Director of the Research Centre at Sree Sankara College in Kalady. “Three types of earthen urn burials and some pots were found in a single day’s excavation. Due to heavy downpour, the contents were severely affected. The biggest urn is 4.5 feet high and 2.75 ft in diameter,” Dr. Ramesh said.

He said that its lower half had a height of 2.75 ft. The height of the upper half cannot be ascertained due to the damage that has occurred to it over the years. This was found 2.5 feet beneath the surface. It is a handmade red-and-black ware having a shape similar to that of an egg, with an ovoid lid. A prominent rim is seen on the middle part that joins the two halves.

The second urn (a medium-sized) was 3 ft high and has an inner diameter of 1.5 ft. It was situated on the northeast side of the main urn and three feet beneath the ground level. It also has a lid similar to the big one. But the bottom portion is a flattened one.

The third urn, smaller in size, also was 2.75 ft away from the main urn. Small earthen plates in broken conditions are also seen near the urns. Dr. Ramesh said the research team had conducted similar excavations near the present site on the banks of the Periyar. The team had found tools of varying sizes and shapes belonging to the Neolithic period. Various black and red pots and pot shreds were also retrieved.

The research team is now trying to identify more sites in the area that bear the relics of ancient culture and civilisations. They have also started a project to collect evidence that mark the presence of such age-old remains dating back to the Neolithic and Megalithic periods.

Archaeologists say the burial urns found in Kalady indicate that a civilised society lived there more than 2,500 years ago and the excavation also reflects the typical south Indian megalithic culture. [Burial urns of Megalithic period excavated]

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What is known, from a 1st Century document, is that the harbour was “exceptionally important for trade.”

Clues to its location are provided in ancient Indian texts. Professor Rajan Gerta, from Mahatma Gandhi University in Kerala, said that there are many references to “ships coming with gold, and going back with ‘black gold’” – pepper.

“These ships went back with a whole lot of pepper and various aromatic spices, collected from the forests,” he added. Merchants from a number of different cultures are believed to have operated in the port, and there are numerous Indian finds from the time as well as Roman ones.

In 1983, a large hoard of Roman coins was found at a site around six miles from Pattanam. However, even if Muziris has been found, one mystery remains – how it disappeared so completely in the first place.

Dr Tomba said that it has always been presumed that the flow of the trade between Rome and India lasted between the 1st Century BC through to the end of the 1st Century AD, but that there is growing evidence that this trade continued much longer, into the 6th and early 7th Century – although not necessarily continually. [Search for India's ancient city via email from Srijith]

Note that the map shows the location of the Cheraman Perumal Masjid, which according to myth, was built by a Kerala king who converted to Islam.

(Image via Dr. Shajan)

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The Jews of Cochin say that they came to Cranganore (south-west coast of India) after the destruction of the Temple in 70 C.E. They had, in effect, their own principality for many centuries until a chieftainship dispute broke out between two brothers in the 15th century. The dispute led neighboring princes to dispossess them. In 1524, the Moors, backed by the ruler of Calicut (today called Kozhikode) attacked the Jews of Cranganore on the pretext that they were “tampering” with the pepper trade. Most Jews fled to Cochin and went under the protection of the Hindu Raja there. He granted them a site for their own town that later acquired the name “Jew Town” (by which it is still known). Unfortunately for the Jews of Cochin, the Portuguese occupied Cochin in this same period and indulged in persecution of the Jews until the Dutch displaced them in 1660. The Dutch Protestants were tolerant and the Jews prospered. In 1795 Cochin passed into the British sphere of influence. In the 19th century, Cochin Jews lived in the towns of Cochin, Ernakulam and Parur. Today most of Cochin’s Jews have emigrated (principally to Israel).[The Virtual Jewish History Tour]

Among the ancient graves outside the synagogue, stand a tombstone which dates from 1264, making it the oldest Hebrew inscription found in India. The oldest such document is regarding a wedding that took place in the synagogue in 1812. [Kerala showcases its Jewish history, treasures]

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The Jews of Cochin say that they came to Cranganore (south-west coast of India) after the destruction of the Temple in 70 C.E. They had, in effect, their own principality for many centuries until a chieftainship dispute broke out between two brothers in the 15th century. The dispute led neighboring princes to dispossess them. In 1524, the Moors, backed by the ruler of Calicut (today called Kozhikode) attacked the Jews of Cranganore on the pretext that they were “tampering” with the pepper trade. Most Jews fled to Cochin and went under the protection of the Hindu Raja there. He granted them a site for their own town that later acquired the name “Jew Town” (by which it is still known). Unfortunately for the Jews of Cochin, the Portuguese occupied Cochin in this same period and indulged in persecution of the Jews until the Dutch displaced them in 1660. The Dutch Protestants were tolerant and the Jews prospered. In 1795 Cochin passed into the British sphere of influence. In the 19th century, Cochin Jews lived in the towns of Cochin, Ernakulam and Parur. Today most of Cochin’s Jews have emigrated (principally to Israel).[The Virtual Jewish History Tour]

Among the ancient graves outside the synagogue, stand a tombstone which dates from 1264, making it the oldest Hebrew inscription found in India. The oldest such document is regarding a wedding that took place in the synagogue in 1812. [Kerala showcases its Jewish history, treasures]

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“When we visited the press, we found rare paintings infested by moth and the owner was planning to sell it off. Even the Archaeological Survey of India did not want to do anything. So we decided to restore them,’’ says Castelli, who owns the Tamburo Parlante museum of African heritage. [Stoned for posterity]

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As the tradition goes, a Chera king, Cheramanperumal of Kodungallure, left for Makkah, embraced Islam, and accepted the name Thajudeen. He married the sister of then King of Jeddah. On his return trip, accompanied by many Islamic religious leaders, led by Malik-ibn-Dinar (RA), he fell sick and passed away. But he had given introductory letters for the team to proceed to ‘Musiris’ (Kodungallur, the Chera capital. The visitors came to Musiris and handed over the latter to the reigning king, who treated the guests with all respect and extended facilities to establish their faith in the land. The king also organised help for the artisans to build the first Mosque at Kodungallur, by converting Arathali temple into a Juma-Masjid. It was build in 629 A.C., and the area around it had been ear-marked for the team’s settlement.[Cheraman Juma Masjid A Secular Heritage]

The Cheraman legend is not corroborated by any contemporary record or evidence. None of the early or medieval travelers who visited Kerala has referred to it in their records. Thus Sulaiman, Al Biruni, Benjamin of Tuleda, Al Kazwini, Marco Polo, Friar Odoric, Friar Jordanus, Ibn Babuta, Abdur Razzak, Nicolo-Conti – none of these travelers speaks of the story of the Cheraman’s alleged conversion to Islam.

Sreedhara Menon also authoritatively states that Kerala never had a king called Cheraman Perumal and quotes Dr. Herman Gundert, the German who composed the first Malayalam-English dictionary and the grandfather of Herman Hesse for this. But there seems to have been a Cheraman Perumal, whose history is overlaid by legend. According to Saiva tradition, he had an association with a Sundaramurti, the last of the three hymnists of Devaram. This Cheraman Perumal vanished in 825 A.D, about 200 years after Muhammed thus confirming that all that Mecca trip was a fanciful legend.[10]

Update (Jan 1, 2009): Maddy has detailed post about this episode

Footnotes:

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