Indian History Carnival – 42: Swastika, nATyashAstra, Jehangir, Tawang

Jayarava looks at some of the urban myths behind the swastika

THE URBAN MYTH that the Nazi swastika goes one way, but the sacred symbol of India goes the other way seems to still be current. Sadly, this is not true. The official Nazi Party emblem, adopted in 1932, was the clockwise swastika, and this is often seen on Buddhist images as well. Jains even use the rotated svastika. Both clockwise and anticlockwise are used in Indian religious iconography, and both are found, for instance, in the Tibetan Unicode block: U+0FD5 卐 (right-facing/clockwise), U+0FD6 卍 (left-facing/anti-clockwise). The svastika is also a Chinese character, and is pronounced wàn. If you look at Google maps of Japan you’ll see temples marked with the 卍.

In a post on Indian and Greek theater, mAnasa-taraMgiNI writes

The Christianized West sees the Greek theater as one of the important precursors of its modern culture and as a direct ancestor of its theatrical traditions. What is missed as a result of this equation is the real nature of the Greek theater because it, unlike modern Western society, was a product of heathen sensibilities, just like its Hindu sister culture. The key point underplayed by modern Western treatments is that the Greek theater, like its Arya counter part was not merely for the enjoyment of men but also for the gods. This is what Gupt calls hieropraxis (the sacred drama). This element is very clear in the nATyashAstra and the fact that through the centuries the chief patrons of nATya was the Arya orthropraxy, both in its smArta and sectarian tAntrika manifestations.

The barbarity of Aurangzeb is well known. What about Jehangir?

Not even high-ranked nobility was safe from Jahangir’s fury. There’s a story that his chamberlain broke one of his favourite Chinese porcelain dishes. In a panic, the chamberlain sent a servant to scour China for a replacement. Two years later, the servant still wasn’t back, and Jahangir asked to see the dish. Quaking, the chamberlain informed him that it was broken, whereupon the Emperor exploded in rage. He ordered the guard to lash the poor man a hundred and twenty times with a corded whip, as he watched, and then told his porters to beat him with cudgels until those broke. As the English traveller William Hawkins (who was the imperial court at the time) reports, “At least twenty men were beating him, till the poore man was thought to be dead, and then he was hauled out by the heels and commanded to prison.”

Kals has a new project and she welcomes anyone interested to join

British Raj is my small project of sorts, an attempt to chronicle and compile a host of material – books (A Passage to India, Indian Summer: The Secret History of the End of an Empire, The Far Pavilions, The Siege of Krishnapur, Train to Pakistan, The Discovery of India etc), photos, videos, articles etc – that tell the story of the era preceding India’s ‘tryst with destiny’ which can be viewed by anyone interested in the subject.
This will include book reviews (for useful recommendations, check India- Book Recommendations), movie reviews, excerpts from books, snippets from articles, links to interesting websites, quotes, photographs and just about anything history and literature-wise relevant to the British Raj. I hope to post as and when something interesting comes my way and hopefully, once a week.

When India got independence, Tawang was part of Tibet. It became part of India in 1951 due to the work of Major Bob Khathing. Pragmatic Euphony has the story

On 17 January 1951, Khathing, accompanied by Captain Hem Bahadur Limbu of 5th Assam Rifles and 200 troops and Captain Modiero of the Army Medical Corps left Lokra for the foothills, bound for Tawang. They were later joined by a 600-strong team of porters. On 19 January, they reached Sisiri and were joined by Major TC Allen, the last British political officer of the North East Frontier Agency. Five days later the party reached Dirang Dzong, the last Tibetan administrative headquarters, and were met by Katuk Lama, assistant Tibetan agent, and the Goanburras of Dirang. On 26 January, Major Khathing hoisted the Indian flag and a barakhana followed.

Thanks Samir Patil, Fëanor, Sandeep V
If you find interesting blog posts on Indian history, please send it to varnam.blog @gmail or as a tweet to @varnam_blog. The next carnival will be up on July 15th.

The Unknown Synagogues of Kochi

Entrance to Paradesi Synagogue, Kochi, Kerala (Photo by author)

When tourist brochures in Kerala mention the Jewish synagogue, they all refer to the one in Jew Town, Kochi. It turns out that there are other synagogues — the Kadavumbhagam and Thekkumbhagam — which are older and perfectly neglected. (H/T Yashwant)

The structure which is believed to have been constructed around 1200 AD, was rebuilt in 1700 AD as a replica of the first temple in Jerusalem with its 10 windows symbolising the Ten Commandments.
“We try to keep the Synagogue in proper order using as much funds as our pockets permit since the government does not seem to be interested in protecting this heritage site,” says Josephai, one of the last remaining members of the congregation of the Kadavumbagam Synagogue. Though the usage of the holy structure as a shop might sound outrageous to some, it seems to be the only reason that keeps the Synagogue standing.
Right around the corner of Kadavumbagam Synagogue lies the Thekkumbhagam Synagogue, which is inruins owing to disuse and neglect.[Monuments, a picture of neglect]

Jay A. Waronker has a brief history of the Lost Synagogues

The first synagogue built in the Cochin region predated the resettlement of the Kerala Jews en bloc in the sixteenth century as a result of Portuguese aggression. Dating from 1344 and attributed to Joseph Azar, it was located in a village called Kochangadi (near Mattancherry), now a part of the city of Kochi. It was most likely built when the Jews abandoned an area in or around Cranganore after the Perriyar River flooded. This synagogue in Kochangadi was apparently razed by the army of Tipu Sultan during the Second Anglo-Mysore War in the 1780s. The building was never rebuilt, and the Jewish community is thought to have moved to nearby Kochi no later than 1795. They carried with them the inscription stone verifying the fourteenth century date of construction and placed it in the Kadavumbagam Synagogue in Mattancherry. Today it can be found inset in the east wall of the courtyard of the Paradesi Synagogue in Mattancherry.[Lost Kerala Synagogues]

Who owns the Heritage Sites?

As new nations form, an important issue is that of the heritage sites. This is especially important in Israel-Palestine area where everyone except people of Indic religions seem to have a stake.

“In any political arrangement, one side will have control of equities of the other,” Seidemann emphasised. “The Israeli-Palestinian conflict is not only a conflict of territory but of identity and narratives, with archaeology and cultural heritage the physical embodiments of the narratives. Addressing these issues is critical for the stability of Israelis and Palestinians.” [Israel and Palestine: who owns what?]

As the vote for Palestinian statehood is coming up in September, there is lot of activity in the ground in West Bank.

Israeli officials have argued that heritage sites with Jewish historical connection must remain under Israeli sovereignty. Israeli Prime Minister Benjamin Netanyahu reiterated that position last year, after Unesco ruled that, despite being venerated by Jews, Christians and Muslims, heritage sites in Bethlehem and Hebron are Palestinian (The Art Newspaper, December 2010, p25). He denounced the decision as “absurd”, calling it “an attempt to disconnect the nation of Israel from its heritage.”
Palestinians counter that location, not religious identification, determines sovereignty of a site. “Palestinians are proud to host a diversity of cultural heritage which is also important to the Christian, Jewish and Muslim faiths. It is Palestinian policy to respect and apply international laws concerning cultural property and heritage using a professional approach to preserve and protect the sites based on geographic location,” said Gabriel Fahel, the legal adviser on archaeology to the PLO’s Negotiations Support Unit (which closed last month). He also charged Israel with violating international treaties it has signed by excavating in the West Bank and removing Palestinian cultural property.[Israel and Palestine: who owns what?]

Since none of these groups give up easily, this is going to be an interesting debate.

A 17th Century Tibetan Deception

Statuette of the Fifth Dalai Lama. Mongolia, 19th century CE. (Wikipedia)

In 1679, China under the powerful Qing dynasty was trying to claim power over Tibet. The Fifth Dalai Lama was in his final years and the future looked bleak. To ensure that the spiritual and political leadership continued he came up with a brilliant plan: he announced that he was retiring and appointing an official named Sangye Gyatso as the leader of the Tibetans. To see how this innocent looking plan, which is being repeated once again by the 14th Dalai Lama, fooled the Chinese, read on.

When the Fifth died in 1682 at the age of sixty-five, Sangye Gyatso duly informed the public that the Dalai Lama was in retreat. On the rare occasions when important visitors were allowed an audience, he enlisted an elderly monk of similar age and appearance to pretend to be the Fifth; the monk wore a large eye-shade, much like the current Dalai Lama, albeit for different reasons.
The deception was so effective that it was fourteen years before the Chinese Emperor realized he had been duped, and then only because some Mongolian prisoners of war mentioned reports they had heard in Lhasa that the Dalai Lama had died more than a decade earlier. By then the next Dalai Lama had been identified, educated, and established: a succession crisis had largely been avoided. The Qing had been denied any say over the selection of the Sixth Dalai Lama, thus taking away a fundamental part of their claim to overlordship. “You, Regent!” thundered the Emperor Kangxi in a 1696 edict to Sangye Gyatso, “You are nothing except an administrator working for the Dalai Lama, you were elevated to be the ‘King of Tibet’ by us! …This news should have been communicated to us directly!”
Hence the concern in some quarters of Beijing that the current Dalai Lama might be similarly using his retirement to prevent China from selecting his spiritual successor and thus reinforcing its claim to sovereignty over Tibet. [The Dalai Lama’s ‘Deception’]

Revolutionary Ideas from Göbekli Tepe

National Geographic has an article (HT Vipul) on Göbekli Tepe in Southern Turkey where people constructed a huge temple complex much before the invention of agriculture. This site is now prompting historians to rethink the theories on the origins of complex societies. How were foragers, who usually follow the resources like the Nanook, able to stay at one place and move 16 ton stones without wheels or animals? Why did they even bother constructing such a massive structure? Did pilgrimage pre-date the Neolithic revolution?

Discovering that hunter-gatherers had constructed Göbekli Tepe was like finding that someone had built a 747 in a basement with an X-Acto knife. “I, my colleagues, we all thought, What? How?” Schmidt said. Paradoxically, Göbekli Tepe appeared to be both a harbinger of the civilized world that was to come and the last, greatest emblem of a nomadic past that was already disappearing. The accomplishment was astonishing, but it was hard to understand how it had been done or what it meant. “In 10 or 15 years,” Schmidt predicts, “Göbekli Tepe will be more famous than Stonehenge. And for good reason.”[Göbekli Tepe]

There is a new explanation for the origin of agriculture

If these archaeologists were correct, these protovillages provided a new explanation of how complex society began. Childe thought that agriculture came first, that it was the innovation that allowed humans to seize the opportunity of a rich new environment to extend their dominion over the natural world. The Natufian sites in the Levant suggested instead that settlement came first and that farming arose later, as a product of crisis. Confronted with a drying, cooling environment and growing populations, humans in the remaining fecund areas thought, as Bar-Yosef puts it, “If we move, these other folks will exploit our resources. The best way for us to survive is to settle down and exploit our own area.” Agriculture followed.[Göbekli Tepe]

and it is connected to religion

Schmidt speculates that foragers living within a hundred-mile radius of Göbekli Tepe created the temple as a holy place to gather and meet, perhaps bringing gifts and tributes to its priests and craftspeople. Some kind of social organization would have been necessary not only to build it but also to deal with the crowds it attracted. One imagines chanting and drumming, the animals on the great pillars seeming to move in flickering torchlight. Surely there were feasts; Schmidt has uncovered stone basins that could have been used for beer. The temple was a spiritual locus, but it may also have been the Neolithic version of Disneyland.
Over time, Schmidt believes, the need to acquire sufficient food for those who worked and gathered for ceremonies at Göbekli Tepe may have led to the intensive cultivation of wild cereals and the creation of some of the first domestic strains. Indeed, scientists now believe that one center of agriculture arose in southern Turkey—well within trekking distance of Göbekli Tepe—at exactly the time the temple was at its height. Today the closest known wild ancestors of modern einkorn wheat are found on the slopes of Karaca Dağ, a mountain just 60 miles northeast of Göbekli Tepe. In other words, the turn to agriculture celebrated by V. Gordon Childe may have been the result of a need that runs deep in the human psyche, a hunger that still moves people today to travel the globe in search of awe-inspiring sights.[Göbekli Tepe]

Post-Rapture News

On October 30, 1938, Orson Welles made his famous War of the Worlds broadcast. Since it was presented as a series of news bulletins, listeners thought that an actual alien invasion was in progress. People panicked. According to Annie Jacobsen, author of the new book Area 51: An Uncensored History of America’s Top Secret Military Base, this panic was observed with amusement by Stalin and Hitler.

Ms. JACOBSEN: When the Orson Welles radio broadcast “The War of the Worlds” aired in 1938, people on the East Coast actually took actions based on their belief that Martians had landed in New Jersey and were attacking. And this fascinated the American military – I source all this in my book – and led to a lot of behind-the-scenes thinking about what it meant that American citizens could be so moved by something that was fictional – that was science fiction. And across the pond, Hitler also paid attention to “The War of the Worlds.” He referenced it in a speech. And according to my source, Stalin also paid attention to “The War of the Worlds” and was fascinated by American susceptibility toward science fiction. And so his plan, according to my source, was to create panic in the United States with this belief that a UFO had landed with aliens inside of it.[Transcript: Area 51 ‘Uncensored’: Was It UFOs Or The USSR?]

Replace Science Fiction with religion and things are no different in 2011. Some nut job in Oakland, CA announced that today would be the end of the world and there are thousands who are taking it seriously. A ~~biblical event~~ 19th century invention known as rapture, when Jesus Christ returns to take his saints and leave us bloggers and idolators to live peacefully on earth, was to happen, but apparently did not. But in United States –

Thousands of people around the country have spent the last few days taking to the streets and saying final goodbyes before Saturday, Judgment Day, when they expect to be absorbed into heaven in a process known as the rapture. Nonbelievers, they hold, will be left behind to perish along with the world over the next five months. With their doomsday T-shirts, placards and leaflets, followers — often clutching Bibles — are typically viewed as harmless proselytizers from outside mainstream religion. But their convictions have frequently created the most tension within their own families, particularly with relatives whose main concern about the weekend is whether it will rain.[Make My Bed? But You Say the World’s Ending]

So who started this hoax, which is the top news on Google right now?

Ms. Douglas and other believers subscribe to the prophecy of Harold Camping, a civil engineer turned self-taught biblical scholar whose doomsday scenario — broadcast on his Family Radio network — predicts a May 21, 2011, Judgment Day. On that day, arrived at through a series of Bible-based calculations that assume the world will end exactly 7,000 years after Noah’s flood, believers are to be transported up to heaven as a worldwide earthquake strikes. Nonbelievers will endure five months of plagues, quakes, wars, famine and general torment before the planet’s total destruction in October[Make My Bed? But You Say the World’s Ending]

Even Oprah was using the term in her final speech

Oprah gave her “ugly-cry” face and said “I’ve never experienced anything like this and I say once again thank you for taking me to a place that’s beyond joyous. I’m going to have to process it and look at it on tape to see what actually happened here. It feels like the rapture, so thank you all for that!”[Everybody Was at the Final Taping of Oprah]

Is this the first time such rapture craziness has happened? No, apparently rapture was supposed to happen in 1831, 1844, 1914, 1918, 1925, 1942, 1981, 1988, 1989, 1992, 1993, 1994, and now finally 2011. Now lets say for some reason, like for example, I don’t know, there is no movie called Return of Jesus Christ, rapture does not happen today, it can happen in 2060. The 2060 date cannot be absolutely, postively wrong because it was calculated by none other than Sir Isaac Newton based on the book of Daniel.

Threatened rock art of Pakistan

Buddhist Art from Pakistan — (via dawn.com)

At this point in time, survival of some ancient rock art may not be the most important item in Pakistan, but here it is anyway. Due to the construction of the Diamer-Basha Dam, some 30,000 carvings and inscriptions will vanish forever.

The Shatial, Thor, Hodur, Thalpan, Naupura, Chaghdo and other sites of northern Pakistan having clusters of carvings but the Basha-Diamer area holds thousands of very important rock carvings.
Hauptmann told Dawn.com that a total of 37,051 carvings on 5,928 boulders or rock faces will be inundated after the construction of the Diamer-Basha Dam.
The site represents hundreds of inscriptions in Brahmi, Sogdian, middle Persian, Chinese, Tibetan and even ancient Hebrew languages. Some 80 per cent of the writings are in Brahmi language.
These writings not only provide insights into the religious and political situation but also show the name of the rulers and a rough date of the time. These details of the inscriptions helped the experts arrange them chronologically.
One of the interesting Brahmi inscriptions can be read as; Martavyam Smartavyam, which means: “(Always) remember that (one day) you must die.[Threatened rock carvings of Pakistan]

Maybe Werner Herzog should visit the place with this 3-D camera before this happens.

Review: Cave of Forgotten Dreams (2010)

In Southern France, the Ardèche River flows through a spectacular landscape. Surrounding the river are white limestone cliffs, covered with vegetation, rising up over hundreds of feet. Over the river runs the Vallon-Pont-d’Arc, a natural arc like the one at Arches National Park. The cliffs on either side of the river are perfect places for hiking and that is what Jean-Marie Chauvet and his two friends, Éliette Brunel and Christian Hillaire were doing in December, 1994 when they chanced on a narrow entrance within the cliffs.
When you enter through this obscure shaft which was hidden for twenty millenia, you reach a dark cave with high ceiling where there is not much to see. If you have seen any Ramsay Brothers or Ram Gopal Varma movie, this is the point where you scream and run as fast as possible. Fortunately Chauvet and his friends explored the caves and as they went through the network of chambers they saw not just animal bones or stalactites, but undulating cave walls painted with spectacular animal images. And they were 30,000 years old.
Some of us may enter Mt. Athos, but we will never enter the Chauvet Cave. The cave is closed to public. But then if the French culture minister is a big fan of your movies you may get the once in a life time opportunity to film inside the cave. This is how the Bavarian film maker Werner Herzog (Aguirre) got permission to make this 3D documentary. But even then there were too many restrictions. The crew had to minimal (3 people). They had to use only hand held cold lights and always stay on the narrow walkway. They would be allowed inside only for a few hours every day. Despite such restrictions, the result is a spectacular film.
Since the cave was naturally sealed by a landslide for more than 20,000 years, it is like walking into a time capsule. The walls are filled with drawings of horses, bisons, lions, bears and mammoths. In one depiction, there are a bunch of animals running and to give the impression of running, the artist chose to depict the animal with multiple legs, similar to how you do in modern cartoons. You can call them the precursor to animation. Drawn during the period when Neanderthal man roamed alongside humans and Europe was covered with glaciers, the images are lifelike. They seem to be telling various stories: of fighting and mating and of hunting and movement.

The sequencing takes us in through that cliff-face door, away from sunlit faces and landscapes and down the torchlit shaft leading to the cave’s long chambers. These stretch back some eight hundred feet. The cave’s miracles of geology—the extravagance of its glittering stalagmites and calcite curtains—surpass those of the Pont d’Arc outside. But the chambers also have undulating walls, and it was on these that the ancient artists chiefly worked. We are given a foretaste of their images: we exit; we return to this item, to that; we leave again. “It is a relief to go outside,” Herzog explains: inside the caves we get to feeling “as if we were disturbing,” as if our distant ancestors’ eyes were still upon us. But finally we surrender to the flow of their art, immersed at length in the interplay of torchlight, rippling cave flanks, scorings, charcoalings and red ochre.[Cave of Forgotten Dreams]

But there are no human depictions.

One thing, though: There’s a partial depiction of a female, the lower part of a female body, somewhat embraced by a bison. It’s very strange that this motif reappears 30,000 years later in some etchings of Picasso—the Minotaur and the female.But why no human beings? You see depictions of human beings 20,000 years later, 18,000 years later, at the beginning of Neolithic times. By the end of Paleolithic—during the Magdalenian epoch of Paleolithic culture—that’s where you start seeing human depictions.[Werner Herzog Finds at Least Three Dimensions in the “Cave of Forgotten Dreams]

The documentary also reveals the amount of care taken by the French to protect the caves. This has not been developed into a tourist site because the visitors’ breath could bring mold on the paintings like what happened in Lascaux. Even the scientists stay on the narrow metal path so as not to plant their foot prints next to the 20,000 year print of an extinct cave bear. For tourists, they are planning a replica site nearby.

The other impressive thing is the research that has been done in these caves. Every inch has been laser scanned and specialists have looked at every artifact. Near the opening there is a wall with hundreds of hand prints and they belonged to a man who had crooked fingers. Deep in the caves, researchers found another painting which was done by a man who too had crooked fingers. The Chavuet painters used torches and some of them rubbed those flames against the cave walls leaving 28,000 year old charcoal fragments. A surreal moment is when Herzog tells us about two sets of foot prints: one belongs to a bear and the other to a child. Did the bear eat the child, or were they friends or were the foot prints made thousands of years apart? Again, we don’t know.
What makes this a non-boring documentary is Herzog’s commentary. His imagination is quite wild. Standing in the silence, looking at the art, he says one can hear one’s own heartbeat and the sound track switches appropriately. The cave paintings remind him of Fred Astaire’s dancing with the shadows and we get a visual from Swing Time. Then he gets the most wonderful characters to explain the past: a circus employee turned archaeologist, a scientist who walks in reindeer skin, a perfume maker who sniffs for smells in caves. These are very unique Herzog touches.
This is probably the only documentary I have seen in a theater and it was worth it.
Furthur Reading:

What does the world’s oldest art say about us? The New Yorker article that inspired Herzog.
Cave of Forgotten Dreams (2010), NYTimes Review
Werner Herzog Finds at Least Three Dimensions in the “Cave of Forgotten Dreams
Herzog on Fresh Air

Indian History Carnival – 41: Vasco da Gama, Universal Hinduism, Ravi Varma, Babylon

The boy who wanted to kill Vasco da Gama — Poster of Urumi or The Boy Who Wanted to Kill Vasco da Gama (from Wikipedia)

Koenraad Elst has a review of David Frawley’s Universal Hinduism (Voice of India, Delhi 2010),

In Universal Hinduism (Voice of India, Delhi 2010), American scholar and Hindu convert David Frawley sets out to clear up this confusion. He takes the reader through the basic data that set Hinduism apart from the others, and specific Hindu schools from one another and from Buddhism. He also discusses what it has in common with the world’s eliminated and surviving Pagan religions, and sometimes with forms of Islam and Christianity too. In his typical kindly style, he gives every practice and every belief its due, but keeps his focus on the potential of Sanatana Dharma to heal modern society as well as to lead man to enlightenment.

Anuraag mentions an Indian woman who ran an inn in Babylon in the 5th century BCE.

Kish was the site of another intriguing find. A bronze chariot rein ring, which probably seems related to the African giraffe or a species of deer from Iran. Called Sivathere of Kish, it has been object of many studies – an unknown hoofed mammal of the Middle East. Initially thought to be related to the Sivatherium – a large, short-necked giraffid, originally described for S. giganteus from the Siwalik Hills of India.

A major motion picture which is running to packed houses in Kerala is Santosh Sivan’s Urumi, set in the period when Vasco da Gama made his third voyage to India. The movie, it turns out, is not historical, but belongs to a category called alternate history. Arun Mohan writes about the historical inaccuracies in the movie.

Likewise, the scriptwriters weren’t much aware of that, Guns and cannons were part of Kerala even when Portuguese first came to Kozhikode in 1498. Guns and cannons were introduced to Kerala, through Arab traders and Chinese. However the difference was, we had gun technology of 13th or 14th century even in 16th century as most of rulers didn’t invest much in improving new gunpowder technology. Rather focus and attention was developing on Kalaripayittu. In the movie, we are made to believe, Chirakkal Princess doesn’t know what to say for Gun and calls it as Thee Thuppi! Whereas the word Pirangi and Thokku etc were much in Malayalam dictionary even in 14th century. So why to use the word Thuppakki? In 1502, Zamorins had fired more than 1200 cannons against Portuguese ships. However the Portuguese had better range, more firing power and manuveourability which our cannons didn’t have that time.

The event which sets the movie Urumi in motion is the massacre of 300 Muslims who were returning back from the Hajj. Maddy writes about the less mentioned violent streak of Vasco da Gama

The meeting of the Portuguese armada and the pilgrim ship resulted in an event that can perhaps be called one of the cruelest actions in history, though it has been glossed over by people of that time and many years thereafter. Upon seeing the Meri, The Portuguese ships fired warning shots, but the pilgrim ship did not retaliate even though it had artillery. The ship was loaded with very rich people and 10 of the richest Muslims of Calicut were on board, led by Jauhar Al Faquih. Gama proceeded to negotiate with this man, who first offered money & spices, which was refused by Gama. He then offered Gama one of his wives, his nephew as ransom and offered to load 4 Portuguese ships with spices. These discussions went on for 5 days. He also offered to arrange friendship between Gama and the new Zamorin. Gama refused and demanded all the wealth on the ship. The proud Al Faquih responded by asking Gama to ask for it himself as he had taken over command of the ship. Gama did that and obtained much money and jewels and in return first provided five boats of food items. He then disarmed the ship and boarded it, ordering his men to set fire to various parts of the ship and after it had caught fire, sailed away. The valiant pilgrims somehow put out the fire, but seeing this, the Gama came back to finish it off.

Sriram writes about how Ravi Varma made a name in Madras, based on Rupika Chawla’s book Raja Ravi Varma, Painter of Colonial India

Ravi Varma became known to the citizens of Madras in 1874 when he entered his Nair Woman at her Toilette for display at the Fine Art Exhibition in the city. He was awarded a gold medal for this work and four years later, he arrived in the city, this time to attend the next Fine Art Exhibition where his Shakuntala Patralekhan (Shakuntala writing a letter) won a gold medal. The painting was also acquired by the Duke of Buckingham and Chandos, who was then Governor of the Presidency. Buckingham was evidently very impressed with Ravi Varma’s work for two years later, he sat for a portrait of himself by the artist. He was now to be amazed by the speed with which Ravi Varma worked and noted “though he had given no less than 18 sittings to an eminent continental artist, he had not produced half so faithful a likeness as the Indian artist had done”.

If you find interesting blog posts on India history, please send it to varnam.blog @gmail or as a tweet to @varnam_blog. The next carnival will be up on June 15th.
Thanks: kupamanduka

60 Minutes Feature on Mt. Athos

Mt. Athos in Greece is a unique place where Orthodox monks live a monastic life. Though Greece protects the peninsula, it is self governed by the monks of the 20 monasteries of the Eastern Orthodoxy. Special permission is needed to visit Mt. Athos and only a few visitors are allowed each month. Mt. Athos does not permit women to enter and this ban has been in place since 1045 CE, since the time of the Byzantine emperor Constantine Monomachos. Mt. Athos does not even permit female animals (female cats are allowed since they catch rats).
Most of us will never set foot in this autonomous monastic state where orthodoxy has been preserved for a millenia. So the next best option is to watch the CBS 60 Minutes feature on this. (Part 1, Part 2). Ironically, the CBS clips are sponsored by viagra.